ãTONE RIONã Meltdown ãVOCALOID 3ã

Lyrics：kuma Animation：nagimiso Title design：Sirow Miwa Clothes design of child Rin：URAHANABI Songwriting：iroha(sasaki) iroha(sasaki)-HP xiao-sphere.net Nagimiso.SYS-HP: nagimiso.blog.shinobi.jp Shirow Miwa-HP mmm-gee.net meltdown (English Lyrics by Marimo) lights of the town are shining with a chilly pain like ether anesthetic unable to sleep at 2 AM everything has changed and lost control of rule oil is already running out in lighter my stomach is nervously burning inside if all the scenes were created by lies I really feel happiness and easiness in broken dream I wring your neck in my dirty hands lights are shining and making flow in the afternoon I look at your throat jumping under my closed mind but my eyes are gonna start to cry, shout to pretend hey, take me to nuclear reactor I wish to dive into core, wanna fly, fly, fly a ray of blue lights surrounds my body, beautiful hey, take me to nuclear reactor if I could dive into core, and then cry, cry, cry all sin! s I did will be allowed within a miracle I hear the sound somebody runs up upstairs through the terrace on the other side cloudy sky is beginning to make a shadow drop on window glass and room twilight is spreading lights over the horizon the sun is setting like a swollen eye, bloody inside around the world everything I see is dead, slowly and slowly melting down without consciousness in broken dream I wring your neck in my dirty hands curtains are dancing with a breeze of cherry spring all the words I said ...

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a12c.com Influences for Bollywood Gokulsing and Dissanayake identify six major influences that have shaped the conventions of Indian cinema. * The ancient Indian epics of Mahabharata and Ramayana which have exerted a profound influence on the thought and imagination of Indian popular cinema, particularly in its narratives. Examples of this influence include the techniques of a side story, back-story and story within a story. Indian popular films often have plots which branch off into sub-plots; such narrative dispersals can clearly be seen in the 1993 films Khalnayak and Gardish.[41] * Ancient Sanskrit drama, with its highly stylized nature and emphasis on spectacle, where music, dance and gesture combined "to create a vibrant artistic unit with dance and mime being central to the dramatic experience." Sanskrit dramas were known as natya, derived from the root word nrit (dance), characterizing them as specacular dance-dramas which has continued Indian cinema.[41] The theory ! of rasa dating back to ancient Sanskrit drama is believed to be one of the most fundamental features that differentiate Indian cinema, particularly Hindi cinema, from that of the Western world.[42] * The traditional folk theatre of India, which became popular from around the 10th century with the decline of Sanskrit theatre. These regional traditions include the Yatra of Bengal, the Ramlila of Uttar Pradesh, and the Terukkuttu of Tamil Nadu.[41] * The Parsi theatre, which "blended realism and fantasy ...